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La femminilità visionaria e le costruzioni architettoniche del marchio
DELPOZO
The visionary femininity and architectural constructions of the brand
(WITH ENGLISH VERSION)
L’estetica e la poetica del marchio DELPOZO, fondato dallo stilista Jesus Delpozo nel 1974 e dal 2012 saldamente nelle mani dell’ex architetto Joseph Font, è fatta di contrasti tra pieni e vuoti, tra femminilità acerba e maturità sensuale e colta.
The aesthetics and poetry of DELPOZO brand, founded by fashion designer Jesus Delpozo in 1974 and since 2012 in the hands of the former architect Joseph Font, is made of contrasts between full and empty, between an unripe femininity and a sensual cultured maturity.
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| Delpozo fall 2016 |
La collezione autunno/inverno 2016, una delle più seguite alla Settimana della Moda di New York, è stata ricca di continue sorprese, di richiami raffinati e contaminazioni tematiche e temporali.
The autumn/winter 2016 collection, one of the most popular at the Fashion Week in New York, has been full of constant surprises, fine references and temporal contamination thematic.
The autumn/winter 2016 collection, one of the most popular at the Fashion Week in New York, has been full of constant surprises, fine references and temporal contamination thematic.
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| Delpozo fall 2016 inspired by Sonia Delaunay |
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| Delpozo fall 2016 inspired by Futurist Balla and Depero |
Il Futurismo nella geometria delle stampe e dei volumi rievocano i completi di Giacomo Balla, Depero e Sonia Delaunay, il Surrealismo decorativo e coloristico delle opere di Daria Petrilli riveste i tessuti strutturati delle preziose cappe e dei cappotti.
Futurism in the geometry of the prints and the volumes recall the suit by Giacomo Balla, Depero and Sonia Delaunay, the decorative and coloristic Surrealism of the works of Daria Petrilli covers structured fabrics of precious capes and coats.
Futurism in the geometry of the prints and the volumes recall the suit by Giacomo Balla, Depero and Sonia Delaunay, the decorative and coloristic Surrealism of the works of Daria Petrilli covers structured fabrics of precious capes and coats.
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| Daria Petrilli |
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| Daria Petrilli |
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| Daria Petrilli |
Altre citazioni sono le visioni distopiche di una società meccanizzata del film muto “Metropolis” di Fritz Lang del 1927, che si ritrova nelle silhouette enfatizzate e nell’anima più noir del serale, così come i motivi floreali Art Decò che diventano applicazioni a 3D a rilievo e incrostano guanti abiti e accessori.
Other citations are the dystopian visions of a mechanized society of Fritz Lang‘s silent movie “Metropolis“ of 1927, which manifests itself in emphasized silhouette and most noir soul of the evening, as well as floral motifs Art Deco that become 3D embossed applications that encrusts gloves and gowns and accessories.
Other citations are the dystopian visions of a mechanized society of Fritz Lang‘s silent movie “Metropolis“ of 1927, which manifests itself in emphasized silhouette and most noir soul of the evening, as well as floral motifs Art Deco that become 3D embossed applications that encrusts gloves and gowns and accessories.
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| Delpozo fall 2016 detail and Art Deco |
La palette cromatica è vibrante e variegata: i toni smorzati e raffinati del nero, dei metallici argento/rame/bronzo e del bordeaux sono accesi da lampi di bluette, di giallo sole, arancio rossastro, di glicine e turchese, con il bianco a mitigare un’immagine che rischiava di essere troppo cacofonica ed invece risulta calibratissima.
The color palette is vibrant and varied: tones muted and refined of black, metallic silver / copper / bronze and burgundy are illuminated by flashes of bright blue, sunny yellow, reddish orange, wisteria and turquoise, with white to mitigate an image which was in danger of being too cacophonous and instead is very calibrated.
Source of the picture: WOMEN’S WEAR DAILY
